MANDAÏ DISTRIBUTION - independent music distributor
Copyright : 2002-2026
| SEARCH | |
| BROWSE BY | |
|
- Artists - Labels - Formats - Styles - Mid prices - Last items - LP - 10in - 7in - Mandaï Gift Vouchers |
|
| NEWSLETTER | |
|
- Subscribe |
|
| LOGIN | |
|
Sign in or Register. |
|
| CONCERTS | |
| 11/07/2026 La Jungle @ Festival Interculturel du Conte | |
| 25/07/2026 La Jungle @ Festiv'Eté | |
| 29/08/2026 La Jungle @ Free Openair 9030 | |
| 17/09/2026 La Jungle @ La Cave aux Poêtes | |
| 18/09/2026 La Jungle @ Les 4 Ecluses | |
| 07/10/2026 La Jungle @ Belvédère | |
| More concerts ... | |
| NEWS | |
| 04/07/2026 Update done ! | |
| 10/06/2026 Aylmeric Leroy's book over Canterburry scene still in stock. | |
| 04/06/2026 Website updated with new releases | |
| 07/05/2026 Aymeric Leroy's book will be restocked end of May in small quantity - You can already order it now to save a copy. | |
| More news ... | |
| FEEDBACKS | |
|
M... (Germany) Best music distributor!... |
|
|
S... (Belgium) Les disques sont bien arrivés. Impécab... |
|
|
Y... (Belgium) Beau catalogue, bon contact, commande ex... |
|
| More feedbacks ... | |
| DESCRIPTION | ||
 | PALESTINE, CHARLEMAGNE Strumming Music for piano, harpsichord and strings ensemble Label : Sub Rosa Year : 2010 Format : 3xCD Style : Electronic / Experimental Availability : Out of stock | |
| Description : | All of the Strumming Music manifestations seem to have originated from Charlemagne's physical relationship with the colossal carillon bells in the tower of St. Thomas Church on Fifth Avenue in New York.
I met Charlemagne Palestine in 1968. The intensity of his listening impressed me as the intensity of his playing would later, when I heard him play on the carillon and the bells to 'his church'. I realized later, when Charlemagne had started to develop his series of piano pieces called Strumming, that he was assaulting that concrete ceiling and literally pushing through its three feet to release the sonic energy in the piano, much as he had with the carillon. Charlemagne's interest and work in electronic music increased in the late 60's and in 1970 he decamped to southern California where he became a graduate student working with Morton Subotnick. It was during this year at CalArts (1970-71) that Charlemagne developed an approach to the piano that was not only extremely repetitive and physical but predicated on the theory that, given the right stimulus, the instrument had a voice of its own and could produce a whole array of high overtones that seem to jump out on their own as if by magic. Over the next few years he developed and polished the music that came to be known simply as 'Strumming.' The rapid alternation between single notes and chords and different registers became a technique that he seemed to own, and it really only worked with this magic piano. 'Strumming' was the physical technique; the melodies and harmonies that resulted made the music breathe and feel alive. After a while, the ear doesn't distinguish between notes that are sounded by hammers and those which are harmonics, generated by the natural resonance of the piano and just appear because of the acoustical situation. | |
