Description
The epic brand-new release boasts years of work, orchestral-scale compositions, huge laborious production with intricate counterpoint as well as beautiful, simple monophonic texturings, tons and tons of instruments from all over the world, and the corresponding musicians who go with them... What does this all end up sounding like? You will hear a kick-ass surf band playing in Arabic/Persian tunings, and then switch over to a wall of Penderecki-style orchestral chord clusters accompanied by AC/DC. Then, perhaps the traditional sounding, pseudo-folk Turk/Central Asian imaginal band will hit center stage with Dhol, Saz, Rabab, Esraj and rock drums and start whacking out to the original, catchy songs that no one knows or cares are in 19/16 time. This might be followed by a totally pummeling, nightmarish, not-kidding one bit blast-beat Death Metal band that employs Boulez-ish atonal serialism, played in dastgah tunings, which of course will naturally segue into a band that specializes in Hindi Film Music from the second Golden Era... you get the picture. We're scratching the surface here, not exaggerating. And again, it’s no joke.
Titles
01. FORMS / The End Times
02. Ishraqiyun / The 4 (Great Ishraqi Sun)
03. Traditionalists / The Indestructible Drop
04. Holy Vehm / Exterminating Angel
05. FORMS / The Owl in Daylight
06. Traditionalists / The Exile
07. The Electromagnetic Azoth / On the Wings of the Haoma
08. UR / Book T: Exodus
09. Holy Vehm / Hypostasis of the Archons
10. Traditionalists / The Electrotheonic Grail Dove
11. Ishraqiyun / The 3
12. The Electromagnetic Azoth / DJ Revisionist
13. UR / Anthropomorphosis: Boxleitner
14. FORMS / Welcome to the Theatron Animatronique
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