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Copyright : 2002-2025
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| CONCERTS | |
| 16/05/2025 Psychic Graveyard @ Les Nuits du Botanique | |
| 16/05/2025 River Into Lake @ Les Nuits Mobiles | |
| 17/05/2025 Nourry, Clement @ Les Nuits du Botanique | |
| 17/05/2025 Psychic Graveyard @ La Zone | |
| 17/05/2025 Wild Classical Music Ensemble @ CC Jacques Franck | |
| 24/05/2025 La Marmite @ Petit Festival du Cheval Déchaîné | |
| More concerts ... | |
| NEWS | |
| 06/05/2025 New releases by Cuneiform Records will be soon added ! | |
| 08/04/2025 New releases will be out by Friday. | |
| 26/03/2025 We'll soon start presales for new Koenjihyakkei live album (2xCD/2xLP) soon. | |
| 19/03/2025 We still have few copies of Pneu's new album. | |
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| DESCRIPTION | ||
 | WILD CLASSICAL MUSIC ENSEMBLE S/T Label : Sub Rosa Year : 2009 Format : CD Style : Contemporary Music / Experimental Availability : In stock Price : 13.50 € - BUY | |
| Concert : | 17/05/2025 @ CC Jacques Franck (Brussels) with Grabat | |
| Description : | A name totally unknown at its introduction. Where did they fetch it from ? Instantly the floor falls silent when the four mentally retarded musicians, Johan, Linh, Kim and Rudy together with their artistic mentor and drummer boy Damien, all ill at ease, clear their way among drums, trumpets, violins, melodica, samplers and an electric guitar. Concentration, suspense, beads of sweat, a sigh, a cough, and then...'the scream'. For over forty minutes they are pouring a sauce of punk, rock, noise and free music all over the audience. If you ask me, this CD needs to be played very loudly! Finally here we have a group of persons with a mental retardation to pack in all stigmata: not obedient or staying in line, no beat of showbiz or schmalzy popular songs here, let alone a flavour of Carl Orff! This music is neither contemporary, nor popular. It can't be labelled as subversive outsider nor as avant-garde. This music is the fantasy and emotion of five musicians, directly translated into sound and colour. It looks like an ultimate 'relief'. Their research of musical instruments and the way they deal with sounds and samples evidences a much sound approach to what music can be. The infrastructure -Kim's rock-riffs on his Fender Stratocaster-offers a structure and a rhythm to the group as for the composition of their songs. Their voices are piercing the thickest-skinned elephant, they delight the ears and chatter at once. It is just a simple must to encounter this group. | |
