MANDAÏ DISTRIBUTION - independent music distributor
Copyright : 2002-2025
| SEARCH | |
| BROWSE BY | |
|
- Artists - Labels - Formats - Styles - Mid prices - Last items - LP - 10in - 7in - Mandaï Gift Vouchers |
|
| NEWSLETTER | |
|
- Subscribe |
|
| LOGIN | |
|
Sign in or Register. |
|
| CONCERTS | |
| 23/09/2025 Fabiola @ La Source Beer & Co. | |
| 27/09/2025 Delwood @ La Verrerie | |
| 27/09/2025 It It Anita @ La Verrerie | |
| 27/09/2025 Billions Of Comrades @ Le Nuton | |
| 28/09/2025 Reid, Tomeka (quartet) @ Nova Express | |
| 11/10/2025 Dead Bob @ 4AD | |
| More concerts ... | |
| NEWS | |
| 16/09/2025 Dazzling Killmen records are in stock and shipping | |
| 28/08/2025 RIP James Kimball | |
| 26/08/2025 We've been working on our website - Now things should work correctly again :) | |
| 21/08/2025 No more shipping to the US can be afford at the moment - We're waiting for new terms before working back with the US. | |
| More news ... | |
| FEEDBACKS | |
|
d... (Belgium) All excellent... |
|
|
j... (Belgium) Fast and serious. Excellent !... |
|
|
d... (Belgium) as always : all excellent... |
|
| More feedbacks ... | |
| DESCRIPTION | ||
 | QUELLET, ISRAEL Soni Sclavus Label : Sub Rosa Year : 2009 Format : CD Style : Experimental Availability : In stock Price : 13.50 € - BUY | |
| Description : | Israel Quellet was born in Switzerland in 1972, growing up with a keen interest in the sonic fabric of records by Miles Davis, Sun Ra, Frank Zappa and music from the classic German kosmische bands. Quellet set about aking his own music relatively late on in life, putting together a studio in 1997 for the pursuit of drawing sounds out of his surroundings. This album finds Quellat turning his attention towards an analysis of organ, voice and a wide range of homemade noises, usually gravitating towards the field of percussion. 'Pour Pas Et Frappes Sur Marches D'escaliers, Gaz Carbonique Expulsé' turns out to be especially intriguing, devising repetitive rhythms from footsteps on a staircase and air expulsions, but these lower key studies are by no means the main thread here: Quellat thrives on a diet of near-industrial noise and primal drum manipulations during powerhouse pieces like 'Pour Caisse Claire, Balais Et Saturation' and 'Pour Basse 'Maison' Percussions, Sons Divers'. Soni Sclavus is an album that's lodged somewhere between academic electroacoustics (Sub Rosa state that he's 'supported by the Centre Pierre Schaeffer in Paris') and more casual DIY noise outings, but there's plenty going on here to keep listeners on either side of that blurry partition happy. | |
