SEARCH |
|
|
|
BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
NEWSLETTER |
|
- Subscribe
|
|
LOGIN |
|
Sign in or Register.
|
|
CONCERTS |
|
19/04/2025 Peter Kernel @ Out of the Crowd | 21/04/2025 Sumac @ Le Botanique | 24/04/2025 The Flying Luttenbachers @ Magasin 4 | 27/04/2025 Guthrie, Will @ Les Ateliers Claus | 02/05/2025 Mmuurr @ Beauraing is not Dead | 06/05/2025 Paradoxant @ Café Central |
More concerts ... |
|
NEWS |
|
08/04/2025 New releases will be out by Friday. | 26/03/2025 We'll soon start presales for new Koenjihyakkei live album (2xCD/2xLP) soon. | 19/03/2025 We still have few copies of Pneu's new album. | 19/02/2025 Orders are slowly out for deliveries. We hope all orders will be out for the end of the week. |
More news ... |
|
FEEDBACKS |
|
c... (Netherlands)
Thanks! Everything received real fast, a...
|
S... (Belgium)
Super....
|
n... (France)
Service excellent !! Merci de nous servi...
|
More feedbacks ... |
|
DESCRIPTION |
|  | V/A Merzbow / Kim Cascone : Rondo / 7phases / blowback Label : Sub Rosa Year : 2004 Format : CD Style : Electronic / Experimental Availability : Out of stock
| | | | Description : | In the 80's, Masami Akita, Asmus Tietchens and Kim Cascone collaborated on a CD called 'Grav' that was eventually released on Silent Records in the early 90's. Having gone their separate ways, Masami and Kim reestablished contact in the late '90's. After email address were exchanged, Kim received a copy of the 'Amlux' CD from Masami, and later heard about a remix project on Important Records paying tribute to the Japanese industrial/ noise-maker. Cascone started his own remix based on extracts from the 'Amlux' CD. The new track was based on new editing techniques Cascone developed which were experiments in time compression by combining tape editing techniques commonly used in Musique Concrete with simple algorithms developed in Max/MSP. The track 'Blowback' - the prototype track using this editing style - was completely constructed by hand using a software sound editor. '7phase' puts these editing techniques under algorithmic control in Max/MSP. By using each other's published work as raw material for their collaboration, they then sent each other tracks via CDR to be used as either new source material or finished work. After choosing the best of the collection of tracks they had developed, Kim and Masami titled the pieces, sequenced the tracks and then designed a cover artwork for it using Jitter (a graphic library for Max/MSP).
|
|
|