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| DESCRIPTION | ||
 | BIRDSONGS OF THE MESOZOIC The Iridium Controversy Label : Cuneiform Records Year : 2003 Format : CD Style : Rock Availability : Out of stock | |
| Description : | Dubbed 'the world’s hardest rocking chamber quartet' by the New York Times, Boston’s Birdsongs of the Mesozoic creates innovative instrumental music that fuses rock, classical, minimalism, punk, garage/pop, and jazz. Two keyboardists (one on grand piano and one on synthesizer), guitar, saxophone and electronic/computer percussion produce a unique sound that fuses the youthful energy and anarchism of rock with the structure (and process) of classical music. The result is simultaneously abstract and accessible, music without vocals with broad popular appeal. Called everything from ‘avant-progressive’ [Progression] to ‘heavy metal Baroque’ [Honolulu Weekly] to ‘avant-garage’ [B Side], Birdsongs’ hybrid sound may well be classical music’s new alternative, a ‘genetically modified’ hybrid that will breathe life and vigor into a musical genre that has grown rarified with age, increasingly irrelevant to modern audiences. The Iridium Controversy is a sophisticated work, a soundtrack to a primordial epic that harkens to the future as well as the past.
The cover art for The Iridium Controversy is by British artist and designer Roger Dean, world renown for his album covers for Yes, Asia and other rockers. Additionally, this is a HDCD audiophile release. | |
| Titles : | 1. Primordial Sludge (5:46) 2. The Iridium Controversy: Before (2:59) 3. The Iridium Controversy: After (5:29) 4. Make the Camera Dance (7:18) 5. This Way Out (4:21) 6. Lost in the B-Zone (4:46) 7. Tectonic Melange (4:07) 8. Sherpas on Parade (6:02) 9. 100 Years of Excellence (5:41) 10. Race Point (3:56) 11. Centrifuge (4:08) 12. The Beat of the Mesozoic, Pt. 1 (6:16) | |
