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CONCERTS
13/05/2026
Radiator Pirelmans @ Spot
14/05/2026
Sala Bestia @ Magasin 4
16/05/2026
La Jungle @ Play Festival
22/05/2026
Adolina @ Warlord
23/05/2026
It It Anita @ le Grand Mix
28/05/2026
La Jungle @ Cactus
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NEWS
07/05/2026
Aymeric Leroy's book will be restocked end of May in small quantity - You can already order it now to save a copy.
02/05/2026
Hyper Gal (JAP) tour is going well - Try to catch them !
17/04/2026
We've shipped about 50% of the Aymeric Leroy's book. We'd answer soon the new orders we've received. Thanks for your patience ! (Also, we hope that Bpost will be back soon to work - A newsletter about the sittuation will be sent by Monday at worst !) - Thanks !
13/04/2026
Delays of delivery could occure due to the strike at Bpost - Sorry for the inconvenience.
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DESCRIPTION
CAGE, JOHN
Early Electronic & Tape Music

Label : Sub Rosa
Year : 2014
Format : CD
Style : Contemporary Music / Electronics
Availability : Out of stock


Description :Although John Cage occasionally worked in large, sophisticated studios - for example, when he composed Fontana Mix in 1958 - his approach to electronic and tape music was often uncomplicated, makeshift, and pragmatic, employing simple tabletop devices: tape machines, phonograph cartridges, contact microphones, record players, portable radios, etc.

He developed a soundworld that was utterly new, radical and demanding. It heralded the age of the loudspeaker, mass communication and Marshall McLuhan's 'global village'. The hiss, crackle and hum of electronic circuits, and the disembodied sounds, snatched by radio from the ether, spoke of the 20th century.

Langham Research Centre works within the tradition firmly established by Cage, using resources that would have been available to him. For the realisation of Cartridge Music, moving iron phonograph pickups were sourced and restored. These have a knurled screw designed to hold a steel phonograph needle and, in the piece, other objects are inserted and amplified: pieces of wire, toothpicks, paperclips, etc. The realisation of Fontana Mix includes the individual mono tracks from Cage's original tapes created in 1958. These are played using open-reel tape machines. These practices ensure we work within the limitations that Cage experienced and enable us to get close to the soundworld he inhabited. (Robert Worby, LRC)

Titles :01. Fontana Mix with Aria 1958 / 13'36
02. Imaginary Landscape n°.5 1952 / 3'00
03. WBAI 1960 / 7'00
04. Cartridge Music 1960 / 10'00
05. 0'00'' 1962 / 2'36
06. Variations I 1960 / 10'00

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