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CONCERTS
16/05/2025
Psychic Graveyard @ Les Nuits du Botanique
16/05/2025
River Into Lake @ Les Nuits Mobiles
17/05/2025
Nourry, Clement @ Les Nuits du Botanique
17/05/2025
Psychic Graveyard @ La Zone
17/05/2025
Wild Classical Music Ensemble @ CC Jacques Franck
24/05/2025
La Marmite @ Petit Festival du Cheval Déchaîné
More concerts ...
NEWS
06/05/2025
New releases by Cuneiform Records will be soon added !
08/04/2025
New releases will be out by Friday.
26/03/2025
We'll soon start presales for new Koenjihyakkei live album (2xCD/2xLP) soon.
19/03/2025
We still have few copies of Pneu's new album.
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DESCRIPTION
CAGE, JOHN
Early Electronic & Tape Music

Label : Sub Rosa
Year : 2014
Format : CD
Style : Contemporary Music / Electronics
Availability : Out of stock


Description :Although John Cage occasionally worked in large, sophisticated studios - for example, when he composed Fontana Mix in 1958 - his approach to electronic and tape music was often uncomplicated, makeshift, and pragmatic, employing simple tabletop devices: tape machines, phonograph cartridges, contact microphones, record players, portable radios, etc.

He developed a soundworld that was utterly new, radical and demanding. It heralded the age of the loudspeaker, mass communication and Marshall McLuhan's 'global village'. The hiss, crackle and hum of electronic circuits, and the disembodied sounds, snatched by radio from the ether, spoke of the 20th century.

Langham Research Centre works within the tradition firmly established by Cage, using resources that would have been available to him. For the realisation of Cartridge Music, moving iron phonograph pickups were sourced and restored. These have a knurled screw designed to hold a steel phonograph needle and, in the piece, other objects are inserted and amplified: pieces of wire, toothpicks, paperclips, etc. The realisation of Fontana Mix includes the individual mono tracks from Cage's original tapes created in 1958. These are played using open-reel tape machines. These practices ensure we work within the limitations that Cage experienced and enable us to get close to the soundworld he inhabited. (Robert Worby, LRC)

Titles :01. Fontana Mix with Aria 1958 / 13'36
02. Imaginary Landscape n°.5 1952 / 3'00
03. WBAI 1960 / 7'00
04. Cartridge Music 1960 / 10'00
05. 0'00'' 1962 / 2'36
06. Variations I 1960 / 10'00

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