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CONCERTS
23/04/2026
M.i.a. @ Occii
25/04/2026
Kiss The Anus Of A Black Cat @ 4AD
25/04/2026
Hyper Gal @ Out of the Crowd
25/04/2026
Secte @ Belvédère
28/04/2026
La Jungle @ VK
01/05/2026
Hyper Gal @ Magasin 4
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NEWS
17/04/2026
We've shipped about 50% of the Aymeric Leroy's book. We'd answer soon the new orders we've received. Thanks for your patience ! (Also, we hope that Bpost will be back soon to work - A newsletter about the sittuation will be sent by Monday at worst !) - Thanks !
13/04/2026
Delays of delivery could occure due to the strike at Bpost - Sorry for the inconvenience.
31/03/2026
Forthcoming album by La Jungle is now up for pre-orders !
24/03/2026
Website updated.
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DESCRIPTION
ART ZOYD
Symphonie pour le jour où brûleront les Cités

Label : Sub Rosa
Year : 2011
Format : CD
Style : Rock / Progressive Rock
Availability : Out of stock


Description :This cult album was no more available since years. Re-released with a new artwork and additional tracks.

In 1976, a self-released LP by Art Zoyd appeared in Belgian record stores. At the time, nobody knew Symphonie Pour le Jour où Brûleront les Cités (Symphony for the Day Cities Will Burn) would be the first of many albums from this strange chamber progressive rock outfit. All the ingredients of Art Zoyd's sound for its first decade are here: unusual acoustic instrumentation for a rock band (violin, cello, piano, and trumpet, plus guitar, bass, and percussion), dark and mysterious atmospheres recalling France's Magma and foretelling Univers Zero (formed by Art Zoyd percussionist Daniel Denis), and complex pieces owing as much to contemporary classical as to progressive rock. The lineup for this first offering included Patricia Dallio (piano), Alain Eckert (guitar, vocals), Gérard Hourbette (violin), Jean-Pierre Soarez (trumpet, percussion), and Thierry Zaboïtzeff (bass, cello, vocals).

The album is split in two. First is Symphonie Pour le Jour où Brûleront les Cités in three parts, an apocalyptic work opening with mad laughter, a vision of the end of the world with percussion clashing, frenetic violin motifs, and the trumpet from Judgment Day. Part one, Brigades Spéciales, is the most striking moment of the album. Then comes Deux Images de la Cité Imbécile ('Two Pictures of the Stupid City'), two movements leaning more toward some warped chamber rock conception of the burlesque, especially on Scènes de Carnaval.

For a first exposition, Symphonie Pour le Jour où Brûleront les Cités was as impressive as could be and earned the band an immediate cult following. (John Bush)

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