| DE LAET, JORIS |
Experimental & Parametric Music 1976-2017
Label : Sub Rosa
Year : 2020
Format : 2xLP
Style : Experimental
Availability : In stock
Price : 22.70 € - BUY
|Description :||Through 'Experimental & Parametric Music 1976-2017',
more than 40 years of the composer's work are unveiled.
We discover here for the first time the great coherence
of this work: from 'Signalisations' (1976) to 'Mnemosyne
pour une acousmaman' (2017).
The twelve compositions are annotated and explained in detail
by the composer, as well as a kind of wild autobiography.
Released in our Early Electronic series
Joris De Laet was born in 1947, Belgian by birth, self-taught by definition,
parametric music and art video composer by choice. Founder of the
S.E.M. (Studio voor Experimentele Muziek) in Antwerp, 1973.
Internships at the IPEM (Instituut voor Psychoakoestiek en
Elektronische Muziek) in Ghent, 1972-1975, under Karel Goeyvaerts,
Lucien Goethals, and Dr. Herman Sabbe.
De Laet is the founder of the SEMensemble, a group of musicians-composers specialized in performing experimental music and live electronics.
From 1975 until 1990, he gave concerts with this ensemble throughout
Europe (Germany, France, The Netherlands, Austria, Poland, Croatia,
etc.) and in Canada (Montreal, Kingston, Toronto).
Parametric Music. Inspired by the deep control on electronic sonics, he has been defining
his work since 1979 as 'Parametric Music,' music where composition
is based on transformation flows of one or several parameters, selected
by the composer, that form, through their converging (or diverging)
processes the main characteristics of the regulated sonics of
|Titles :||01. Au plus de soleil, au plus de bruit (2007-08) 9'01 |
02. Aural Silver (1993-1994) 9'53
03. Cordes et Corps (2009) 8'36
04. Signalisations (1976) 8'35
05. Masses d'algorithmes vers 12 zones chromatiques (1987) 11'24
06. Mnemosyne pour une acousmaman (2017) 4'26
07. Amour Sacré (2005) 8'16
08. Art Maniaque (2000) 11'04
09. Madmatics (2002) 12'55