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CONCERTS
14/12/2018
Hayward, Charles @ Magasin 4
14/12/2018
Jean D.l. @ Magasin 4
18/12/2018
?alos @ Café Central
19/12/2018
It It Anita @ ACU
21/12/2018
Rene Biname @ La Zone
22/12/2018
Rene Biname @ Magasin 4
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NEWS
04/12/2018
First release by It It Anita is back in stock - Few copies left !
23/11/2018
New release by Big'N will be soon available !
29/10/2018
New releases are in stock !
28/10/2018
Zu - The Way of the Animal Powers is now totaly out of print.
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DESCRIPTION
V/A
A. Fernandez / P. Kowald : Sea of Lead

Label : Hopscotch Records
Year : 2006
Format : CD
Style : Free Jazz
Availability : In stock

Price : 14.80 € - BUY
Description :More than three years have passed by since bassist Peter Kowald passed away but there's been no shortage of new Kowald product (to coin a rather vulgar term) on the market since; Sea Of Lead is his third appearance on Hopscotch, after Deal, Ideas and Ideals (with Assif Tsahar and Rashied Ali) and Ma: Live at the Fundacio Juan Miro (with Tsahar and Sunny Murray). This time Tsahar isn't on the bill, and there's no drummer, but that doesn't mean there's no percussion. Agustí Fernandez's work both on and inside the piano remind us that it's first and foremost a percussion instrument, and David Casamitjana's recording made at Barcelona's Estudi 84 on June 27th 2000 is quite superb. Goodness knows where he put his mics, but they certainly were at the heart of the action: Fernandez's prepared piano shrieks and clangs sound dangerously close, and Kowald's pizzicato has rarely sounded so full and rich – Charlie Haden eat your heart out. Elsewhere, his low-register bowed work growls like a lion (though I'll admit I've never been much of a fan of the sub-bass Tuvan horror movie vocals). It's easy to forget that despite his reputation for monster solo sets of extraordinary stamina – the last time I saw him he played non-stop for 80 minutes – Kowald was also capable of great restraint and used space and silence to great effect, and in Fernandez he found the ideal partner. Even so, the most impressive tracks are the ones where both men go nuts, especially 'Rhizomes' (yeah, rhizomes were all the rage back in 2000, remember?), which pits Ligeti-like ostinati against Kowald's maniacal arco scrabbling, and 'Tendrils', on which the bassist wisely sits on a low rolling groove and lets Fernández turn out the kind of solo pianists dream of. Shame it ends rather abruptly. But you could say that of Peter Kowald's life, too. However, given the man's enormous appetite for work, it's a fair bet that there are plenty of hours of unreleased Kowald languishing on hard drives across the world. If they're all as good as this, it looks as if the Kowald discography is set to go on increasing for quite a while to come.

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