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DESCRIPTION |
|  | EBTEKAR, ATA (SOTE) Majestic Noise Made In Beautiful Rotten Label : Sub Rosa Year : 2023 Format : LP Style : Electronics Availability : In stock
Price : 18.60 € - BUY
| | | | Description : | It's an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short
attention span culture, others present a problem-solution scenario, collectively via
a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer
an assortment of works full of sound, euphonic and vivid in nature.
The making of this album was intentionally a very personal process, going into self therapy territory at times interpreting the composer's contemplating mind dealing with tolerance, destruction, compassion, misery, grace and tyranny in an auditory manner. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present a problem-solution scenario, collectively via a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer an assortment of works, awash with euphonic sound vivid in its essence, with
a deep focus on various synthesis techniques within a compositional framework. Dedicated to Peter Rehberg aka Pita
Ata 'Sote' Ebtekar composes music with a deeply-held conviction that rules and formulas should be deconstructed and rethought. He alters musical modal codes from their original tonality and
rhythmic tradition to achieve vivid, synthetic soundscapes. Over the last three decades, his work has been published by labels such as Warp, Sub Rosa, Opal Tapes, Diagonal, Mute and Morphine, among others. In 2018, he founded a new label called 'Zabte Sote', which focuses on releases by Iranian experimental electronic composers from around the globe.
Known for creating compositions that range from the delicate to the abrasive, using sounds both of acoustical and electronic origins, Ebtekar sees music as the expression of cultural habits in sound
and anti-sound (silence). Seeking to expand such traditions he creates music that, while rooted in many cultures at once, belongs to none in particular. Sote's work deals with various blueprints, in particular
his solo all synthetic music, his electroacoustic audio/visual group project, and his multi-channel sound installations. Sote is on the jury panel of The DAAD Artists-in-Berlin Program, and has created commissioned work for and performed at a.o. Berghain and CTM Festival (Berlin), Unsound Festival (Krakow), Cafe Oto (London), Jazzhouse (Copenhagen), TodaysArt Festival (The Hague), Bozar (Brussels), Ultima Festival (Oslo), Donaufestival (Krems), Donaueschinger Musiktage, Mira (Barcelona), Terraforma (Milan), and many more.
| Titles : | 01. Sote - MOSCELS
02. Sote - Parallel Persia
03. Sote - Parallel Persia Remixes Mark Fell & Rashad Becker
04. Sote - Sacred Horror In Design
05. Sote - Hardcore Sounds From Tehran
06. Sote - Hyper-urban 20 30
07. Sote - Arrhythmia
08. Sote - Architectonic
09. Ata Ebtekar & Mazdak Khamda/ Sonic Within - 333 Rec
10. Ata Ebtekar & The Iranian Orchestra For New Music - Ornamentalism
11. Ata Ebtekar & Alireza Mashayekhi - Persian Electronic Music - Yesterday & Today
12. Sote - Dastgaah/ Dielectric/RLR
13. Sote - Electric Deaf
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