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CONCERTS
27/06/2026
La Jungle @ Rock-Mor Festival
10/07/2026
La Jungle @ Festival au Carré
11/07/2026
La Jungle @ Festival Interculturel du Conte
25/07/2026
La Jungle @ Festiv'Eté
29/08/2026
La Jungle @ Free Openair 9030
17/09/2026
La Jungle @ La Cave aux Poêtes
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NEWS
10/06/2026
Aylmeric Leroy's book over Canterburry scene still in stock.
04/06/2026
Website updated with new releases
07/05/2026
Aymeric Leroy's book will be restocked end of May in small quantity - You can already order it now to save a copy.
02/05/2026
Hyper Gal (JAP) tour is going well - Try to catch them !
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DESCRIPTION
TG MAUSS
Gravity will keep us together

Label : Quatermass
Year : 2006
Format : CD
Style : Pop Rock
Availability : Out of stock


Description :TG Mauss' second solo album is a brisk, fun enough little effort that breaks absolutely no new ground but still makes for a fine statement of purpose -- namely, that stripped-down new wave-influenced pop will never die, it'll just have its constituent elements played around with a bit here and there. That Mauss has grown up in a newer era can be heard at various points in the arrangements and production -- for instance, the compressed synth crunch on songs like the thoroughly great 'Multiple Face' has a simultaneously blunt and playful kick thanks to the on-point editing that earlier decades aspired to but didn't always fully catch. But Gravity Will Keep Us Together is for the most part a fairly faithful re-creation of a never-never era where Devo, the dB's, D.A.F. and Depeche Mode all were being added to someone's mixtape somewhere in the world for a summer road trip. (And to his credit it's never quite so sticky-sweet as to be just the Postal Service redux, which deserves credit in and of itself.) Mauss' delivery is an amusing mix of the slightly sleazy and the understatedly cool, perfect for the robot punch of so many of the songs -- 'Wanna Be' is a classic instance, his half-sneer/half-yearning approach nicely contrasting the mercilessly stiff riff. At its busiest, the album shows Mauss has a good ear for transforming the supposedly 'simple' nature of synth pop into a chaotically entertaining swirl -- consider the instrumental break on 'Take You Down' as a good example. Meanwhile, the occasional out-of-nowhere moment doesn't hurt either, as the guitar twang on 'Wait, It's Me!' demonstrates. Though admittedly it's a bit of a pity to hear the beats on 'Print Screen' when they just don't have the full-bodied slam of its obvious role model, Toni Basil's 'Mickey' -- but one can't have everything in life.

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