| SEARCH |
|
|
|
| BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
| NEWSLETTER |
|
- Subscribe
|
|
| LOGIN |
|
Sign in or Register.
|
|
| CONCERTS |
|
18/02/2026 It It Anita @ Le Botanique | 18/02/2026 Zea @ Les Ateliers Claus | 21/02/2026 Tatsuya, Yoshida @ Magasin 4 | 21/02/2026 Ruins Alone @ Magasin 4 | 25/02/2026 Landrose @ Afsnis Bij St Jacobs | 26/02/2026 Landrose @ Kultuurfabriek |
| More concerts ... |
|
| NEWS |
|
13/02/2026 Point Line Plane (Skin Graft Records / US) is back on the tracks - CD available. | 12/02/2026 We're taking preoerder for Aymeric Leroy's book to be published on Cuneiform Records. | 04/02/2026 New releases uploaded ! | 07/01/2026 Happy New Year, folks ! |
| More news ... |
|
| FEEDBACKS |
|
b... (France)
Super, je recommande, pour tout, contact...
|
Z... (Belgium)
Bonne com', colis reçu rapidement,...
|
d... (Finland)
Everything was very well done, thanks!...
|
| More feedbacks ... |
|
| DESCRIPTION |
|  | V/A Scanner / Dessy : Play along Label : Sub Rosa Year : 2005 Format : CD Style : Electronic / Experimental Availability : Out of stock
| | | | | Description : | Published in 2005, this is the first collaboration between Jean-Paul Dessy + Ensemble Musiques Nouvelles and a musician involved in electronic music scene (the second was dj Olive).
The adventure began in June of 2002 with two wonderful evenings at the Botanique (Brussels) devoted to crisscrossings and genre-stripping between electronic nomads and musicians, classically-trained composers eager to mingle with other forms. The 'electronic stroller' Robin Rimbaud, explorer of urban interstices, was the first to answer our call and met with Jean-Paul Dessy in London to elaborate an approach to deterritorialized co-composition: cello sounds sampled during short improvisations and later reworked by Scanner; electronic sequences and textures chosen by the Belgian composer and for which he wrote strings parts. These are the terms of a dynamic exchange resulting in a work open to both digital gesture and acoustic composition. In addition to this piece, which is the centre panel of this album's triptych, Scanner and Jean-Paul Dessy each offered a solo electronics piece: the first integrating string sounds produced by the second, the latter choosing to strip down a previous composition of all its acoustic instruments, keeping only its animalistic essence (wolves and whales' cries) and treatments. Free exchanges between complementary sound worlds that keep feeding off each other through other residencies and performances, mirror effects distorting our preconceptions and generating fresh musical projections.
|
|
|