MANDAÏ DISTRIBUTION - independent music distributor
Copyright : 2002-2025
| SEARCH | ||||||
|
||||||
| BROWSE BY | ||||||
|
- Artists - Labels - Formats - Styles - Mid prices - Last items - LP - 10in - 7in - Mandaï Gift Vouchers |
||||||
| NEWSLETTER | ||||||
|
- Subscribe |
||||||
| LOGIN | ||||||
|
Sign in or Register. |
||||||
| CONCERTS | ||||||
| 24/05/2025 La Marmite @ Petit Festival du Cheval Déchaîné | ||||||
| 29/05/2025 Psychic Graveyard @ Kultuurfabriel | ||||||
| 29/05/2025 Koenjihyakkei @ Archiduc | ||||||
| 03/06/2025 Aluk Todolo @ Magasin 4 | ||||||
| 07/06/2025 Mountain Bike @ Le Botanique | ||||||
| 21/06/2025 Le Prince Harry @ Fêtes de la Musique | ||||||
| More concerts ... | ||||||
| NEWS | ||||||
| 11/05/2025 New releases are online | ||||||
| 06/05/2025 New releases by Cuneiform Records will be soon added ! | ||||||
| 08/04/2025 New releases will be out by Friday. | ||||||
| 26/03/2025 We'll soon start presales for new Koenjihyakkei live album (2xCD/2xLP) soon. | ||||||
| More news ... | ||||||
| FEEDBACKS | ||||||
|
p... (France) Bonjour ! très très satisfait, toujour... |
||||||
|
E... (France) Top records and seller as well. Thanks a... |
||||||
|
j... (Belgium) fast delivery, top company... |
||||||
| More feedbacks ... | ||||||
| DESCRIPTION | ||
 | ESSYAD, AHMED Moroccan Electroacoustic Music 1972-74 Label : Sub Rosa Year : 2024 Format : CD Style : Electronics Availability : In stock Price : 14.50 € - BUY | |
| Description : | Composer Ahmed Essyad was born in Salé,Morocco, in 1938. After studying music at the RabatConservatoire (Morocco) he moved to Paris in 1962,where he became a student of Max Deutsch and, later,his assistant. Trained in the avant-garde practices of Western musical composition, he also claimed theAmazigh folk music of Morocco as a fundamentalsource of inspiration for his work.
In 1965, he was already incorporating elements of oraltradition in his work so as to question the language ofhis time, and therefore had to cope with the limits ofmusical notation and communication with musicianswho did not share his cultural references. It was difficultto agree on what was implicit, 'behind the notes,'especially regarding the management of musical timeand micro-intervals. In search of new compositional tools,he turned to electro-acoustic music. Working in a studiomade it possible for him to be the interpreter of his ownwork, which ensured a certain continuity with music oforal tradition. The pieces presented here were producedbetween 1972 and 1974 in a studio dedicated toelectro-acoustic music, the S.M.E.C.A, which was partof the Music Workshop founded by Jorge Arriagada inParis. The studio was equipped with EMS and Minimoog synthesizers, a piano, a marimba, a xylophone, as wellas various percussion instruments and a tape delay system. | |
| Titles : | 01. Toubkal (1972) part I 06'24 02. Toubkal (1972) part II 05'17 03. Lecture pour bande magnétique (1974) part I 04'41 04. Sultane (1973) part I 05'34 05. Sultane (1973) part II 02'24 06. Sultane (1973) part III 03'56 07. Sultane (1973) part IV 02'23 08. Lecture pour bande magnétique (1974) part II 04'52 | |
