MANDAÏ DISTRIBUTION - independent music distributor
Copyright : 2002-2026
| SEARCH | |
| BROWSE BY | |
|
- Artists - Labels - Formats - Styles - Mid prices - Last items - LP - 10in - 7in - Mandaï Gift Vouchers |
|
| NEWSLETTER | |
|
- Subscribe |
|
| LOGIN | |
|
Sign in or Register. |
|
| CONCERTS | |
| 04/10/2026 Secte @ Le Petit Bitu | |
| 06/10/2026 Melt Banana @ Le Guess Who | |
| 07/10/2026 La Jungle @ Belvédère | |
| 07/10/2026 Melt Banana @ Sonic City Festival | |
| 10/10/2026 Dazzling Killmen @ Magasin 4 | |
| 10/10/2026 Mmuurr @ La Capsulerie | |
| More concerts ... | |
| NEWS | |
| 17/09/2026 Dazzling Killmen's Face of Collapse LP is out ! | |
| 27/08/2026 Squid Pisser's new album is out ! | |
| 24/08/2026 Working on new releases | |
| 04/08/2026 We're planning to release some stuff from Wrong Speed Records (UK) by the following weeks. | |
| More news ... | |
| FEEDBACKS | |
|
H... (Germany) Very friendly communication, very fast s... |
|
|
S... (Belgium) Super... |
|
|
P... (United Kingdom) Great service as always... |
|
| More feedbacks ... | |
| DESCRIPTION | ||
 | ESSYAD, AHMED Moroccan Electroacoustic Music 1972-74 Label : Sub Rosa Year : 2024 Format : CD Style : Electronics Availability : In stock Price : 14.50 € - BUY | |
| Description : | Composer Ahmed Essyad was born in Salé,Morocco, in 1938. After studying music at the RabatConservatoire (Morocco) he moved to Paris in 1962,where he became a student of Max Deutsch and, later,his assistant. Trained in the avant-garde practices of Western musical composition, he also claimed theAmazigh folk music of Morocco as a fundamentalsource of inspiration for his work.
In 1965, he was already incorporating elements of oraltradition in his work so as to question the language ofhis time, and therefore had to cope with the limits ofmusical notation and communication with musicianswho did not share his cultural references. It was difficultto agree on what was implicit, 'behind the notes,'especially regarding the management of musical timeand micro-intervals. In search of new compositional tools,he turned to electro-acoustic music. Working in a studiomade it possible for him to be the interpreter of his ownwork, which ensured a certain continuity with music oforal tradition. The pieces presented here were producedbetween 1972 and 1974 in a studio dedicated toelectro-acoustic music, the S.M.E.C.A, which was partof the Music Workshop founded by Jorge Arriagada inParis. The studio was equipped with EMS and Minimoog synthesizers, a piano, a marimba, a xylophone, as wellas various percussion instruments and a tape delay system. | |
| Titles : | 01. Toubkal (1972) part I 06'24 02. Toubkal (1972) part II 05'17 03. Lecture pour bande magnétique (1974) part I 04'41 04. Sultane (1973) part I 05'34 05. Sultane (1973) part II 02'24 06. Sultane (1973) part III 03'56 07. Sultane (1973) part IV 02'23 08. Lecture pour bande magnétique (1974) part II 04'52 | |
