MANDAÏ DISTRIBUTION - independent music distributor
Copyright : 2002-2025
| SEARCH | |
| BROWSE BY | |
|
- Artists - Labels - Formats - Styles - Mid prices - Last items - LP - 10in - 7in - Mandaï Gift Vouchers |
|
| NEWSLETTER | |
|
- Subscribe |
|
| LOGIN | |
|
Sign in or Register. |
|
| CONCERTS | |
| 03/12/2025 Ovo @ The Pit's | |
| 04/12/2025 Ovo @ Belvédère | |
| 05/12/2025 Ovo @ ACU | |
| 10/12/2025 Fabiola @ Alter Schlachthof | |
| 11/12/2025 Billions Of Comrades @ Chat le Roi | |
| 25/04/2026 Kiss The Anus Of A Black Cat @ 4AD | |
| More concerts ... | |
| NEWS | |
| 27/11/2025 New releases will be soon added ! | |
| 27/10/2025 Update done ! | |
| 25/10/2025 Working on next update. | |
| 22/10/2025 New releases by Cuneiform Records will be soon in stock. | |
| More news ... | |
| FEEDBACKS | |
|
G... (Belgium) friendly communication, fast shipping, e... |
|
|
B... (Belgium) Very good communication, fast delivery, ... |
|
|
d... (Belgium) All excellent... |
|
| More feedbacks ... | |
| DESCRIPTION | ||
 | ESSYAD, AHMED Moroccan Electroacoustic Music 1972-74 Label : Sub Rosa Year : 2024 Format : LP Style : Electronics Availability : In stock Price : 18.60 € - BUY | |
| Description : | Composer Ahmed Essyad was born in Salé,Morocco, in 1938. After studying music at the RabatConservatoire (Morocco) he moved to Paris in 1962,where he became a student of Max Deutsch and, later,his assistant. Trained in the avant-garde practices of Western musical composition, he also claimed theAmazigh folk music of Morocco as a fundamentalsource of inspiration for his work.
In 1965, he was already incorporating elements of oraltradition in his work so as to question the language ofhis time, and therefore had to cope with the limits ofmusical notation and communication with musicianswho did not share his cultural references. It was difficultto agree on what was implicit, 'behind the notes,'especially regarding the management of musical timeand micro-intervals. In search of new compositional tools,he turned to electro-acoustic music. Working in a studiomade it possible for him to be the interpreter of his ownwork, which ensured a certain continuity with music oforal tradition. The pieces presented here were producedbetween 1972 and 1974 in a studio dedicated toelectro-acoustic music, the S.M.E.C.A, which was partof the Music Workshop founded by Jorge Arriagada inParis. The studio was equipped with EMS and Minimoog synthesizers, a piano, a marimba, a xylophone, as wellas various percussion instruments and a tape delay system. | |
| Titles : | 01. Toubkal (1972) part I 06'24 02. Toubkal (1972) part II 05'17 03. Lecture pour bande magnétique (1974) part I 04'41 04. Sultane (1973) part I 05'34 05. Sultane (1973) part II 02'24 06. Sultane (1973) part III 03'56 07. Sultane (1973) part IV 02'23 08. Lecture pour bande magnétique (1974) part II 04'52 | |
