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CONCERTS
13/05/2026
Radiator Pirelmans @ Spot
14/05/2026
Sala Bestia @ Magasin 4
16/05/2026
La Jungle @ Play Festival
22/05/2026
Adolina @ Warlord
23/05/2026
It It Anita @ le Grand Mix
28/05/2026
La Jungle @ Cactus
More concerts ...
NEWS
07/05/2026
Aymeric Leroy's book will be restocked end of May in small quantity - You can already order it now to save a copy.
02/05/2026
Hyper Gal (JAP) tour is going well - Try to catch them !
17/04/2026
We've shipped about 50% of the Aymeric Leroy's book. We'd answer soon the new orders we've received. Thanks for your patience ! (Also, we hope that Bpost will be back soon to work - A newsletter about the sittuation will be sent by Monday at worst !) - Thanks !
13/04/2026
Delays of delivery could occure due to the strike at Bpost - Sorry for the inconvenience.
More news ...
FEEDBACKS
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Very good communication, fast delivery, ...
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DESCRIPTION
V/A
Merzbow / Kim Cascone : Rondo / 7phases / blowback

Label : Sub Rosa
Year : 2004
Format : CD
Style : Electronic / Experimental
Availability : Out of stock


Description :In the 80's, Masami Akita, Asmus Tietchens and Kim Cascone collaborated on a CD called 'Grav' that was eventually released on Silent Records in the early 90's. Having gone their separate ways, Masami and Kim reestablished contact in the late '90's. After email address were exchanged, Kim received a copy of the 'Amlux' CD from Masami, and later heard about a remix project on Important Records paying tribute to the Japanese industrial/ noise-maker. Cascone started his own remix based on extracts from the 'Amlux' CD. The new track was based on new editing techniques Cascone developed which were experiments in time compression by combining tape editing techniques commonly used in Musique Concrete with simple algorithms developed in Max/MSP. The track 'Blowback' - the prototype track using this editing style - was completely constructed by hand using a software sound editor. '7phase' puts these editing techniques under algorithmic control in Max/MSP. By using each other's published work as raw material for their collaboration, they then sent each other tracks via CDR to be used as either new source material or finished work. After choosing the best of the collection of tracks they had developed, Kim and Masami titled the pieces, sequenced the tracks and then designed a cover artwork for it using Jitter (a graphic library for Max/MSP).

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