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CONCERTS
14/03/2025
Castles @ Rockerill
14/03/2025
Frith, Fred @ Kuckuck
15/03/2025
Peter Kernel @ Magasin 4
21/03/2025
Zu @ 4AD
22/03/2025
Zu @ Magasin 4
22/03/2025
La Jungle @ Le petit théâtre de la Grande Vie
More concerts ...
NEWS
19/02/2025
Orders are slowly out for deliveries. We hope all orders will be out for the end of the week.
12/02/2025
Due to Bpost strike, we won't send any orders this week. Things should be back to normal by next week.
13/01/2025
Soon launching the pre-order for new Pneu album.
29/12/2024
We won't be able to send any order before the 6th January. Happy New Year to all !
More news ...
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DESCRIPTION
V/A
Merzbow / Kim Cascone : Rondo / 7phases / blowback

Label : Sub Rosa
Year : 2004
Format : CD
Style : Electronic / Experimental
Availability : Out of stock


Description :In the 80's, Masami Akita, Asmus Tietchens and Kim Cascone collaborated on a CD called 'Grav' that was eventually released on Silent Records in the early 90's. Having gone their separate ways, Masami and Kim reestablished contact in the late '90's. After email address were exchanged, Kim received a copy of the 'Amlux' CD from Masami, and later heard about a remix project on Important Records paying tribute to the Japanese industrial/ noise-maker. Cascone started his own remix based on extracts from the 'Amlux' CD. The new track was based on new editing techniques Cascone developed which were experiments in time compression by combining tape editing techniques commonly used in Musique Concrete with simple algorithms developed in Max/MSP. The track 'Blowback' - the prototype track using this editing style - was completely constructed by hand using a software sound editor. '7phase' puts these editing techniques under algorithmic control in Max/MSP. By using each other's published work as raw material for their collaboration, they then sent each other tracks via CDR to be used as either new source material or finished work. After choosing the best of the collection of tracks they had developed, Kim and Masami titled the pieces, sequenced the tracks and then designed a cover artwork for it using Jitter (a graphic library for Max/MSP).

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