| SEARCH |
|
|
|
| BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
| NEWSLETTER |
|
- Subscribe
|
|
| LOGIN |
|
Sign in or Register.
|
|
| CONCERTS |
|
28/02/2026 Mmuurr @ Le Laboratoire | 06/03/2026 Wild Classical Music Ensemble @ Les Ateliers Claus | 07/03/2026 The Scrap Dealers @ La Zone | 27/03/2026 Lean Left @ Blikfabriek | 28/03/2026 Mmuurr @ Rockerill | 28/03/2026 Radiator Pirelmans @ Rockerill |
| More concerts ... |
|
| NEWS |
|
19/02/2026 Dazzling Killmen euro tour announced ! | 13/02/2026 Point Line Plane (Skin Graft Records / US) is back on the tracks - CD available. | 12/02/2026 We're taking preoerder for Aymeric Leroy's book to be published on Cuneiform Records. | 04/02/2026 New releases uploaded ! |
| More news ... |
|
| FEEDBACKS |
|
d... (Belgium)
As always : all excellent...
|
i... (Italy)
Great seller with friendly communication...
|
m... (France)
Mandai delivers fast the finest indie an...
|
| More feedbacks ... |
|
| DESCRIPTION |
|  | V/A World as will III Label : Sub Rosa Year : 2008 Format : CD Style : Electronic / Experimental Availability : In stock
Price : 13.50 € - BUY
| | | | | Description : | This album concludes a ten-year long collaborative project between polish sound artist and composer Zbigniew Karkoski and Japanese noise monger Tetsuo Furudate. As if those two weren't sufficiently riotous n their own, renowned avant-garde ensemble Zeitkratzer get involved too, meaning this a pretty comprehensive electroacoustic assault on the senses. The introductory piece 'Mergence' features groans into life with a few sub-drones, ratcheting up the tension to the point of noisy release halfway through, only for that in itself to die away to almost nothing, leaving the barest of rumbles to re-gather a clanging impetus in the ebbing moments. The sudden switches between quiet and loud bring to mind some of Francisco Lopez's more extreme dynamics - it's a fine start and an excellent way to invest twenty-five minutes of your time. Next comes the less obviously sophisticated feedback hum of 'Below The Demarcation', which takes us into more conventional drone terrain, only for the extreme acoustic punishment of 'Mix White' to re-energise the set for a final noisy bloom.
|
|
|