| SEARCH |
|
|
|
| BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
| NEWSLETTER |
|
- Subscribe
|
|
| LOGIN |
|
Sign in or Register.
|
|
| CONCERTS |
|
20/04/2026 M.i.a. @ Au Bout de Nos Rêves | 22/04/2026 It It Anita @ Trix | 23/04/2026 M.i.a. @ Occii | 25/04/2026 Kiss The Anus Of A Black Cat @ 4AD | 25/04/2026 Hyper Gal @ Out of the Crowd | 25/04/2026 Secte @ Belvédère |
| More concerts ... |
|
| NEWS |
|
17/04/2026 We've shipped about 50% of the Aymeric Leroy's book. We'd answer soon the new orders we've received. Thanks for your patience !
(Also, we hope that Bpost will be back soon to work - A newsletter about the sittuation will be sent by Monday at worst !) - Thanks ! | 13/04/2026 Delays of delivery could occure due to the strike at Bpost - Sorry for the inconvenience. | 31/03/2026 Forthcoming album by La Jungle is now up for pre-orders ! | 24/03/2026 Website updated. |
| More news ... |
|
| FEEDBACKS |
|
K... (Belgium)
Hello, j'ai bien reçu ma commande ...
|
b... (France)
Super, je recommande, pour tout, contact...
|
j... (Belgium)
A very nice deal with a very kind guy !...
|
| More feedbacks ... |
|
| DESCRIPTION |
|  | BRION GYSIN Live in London 1982 Label : Sub Rosa Year : 2007 Format : CD Style : Experimental Availability : In stock
Price : 13.50 € - BUY
| | | | | Description : | Autumn 1982, Brixton, London, Brion Gysin, the eternal accomplice of William Burroughs, renews the methods of performance by reciting texts, hastily brought together: Tessa, a member of Slits, Steve, of Rip, Rig and Panic, Gile, of Penguin Café Orchestra, and Ramuntcho Matta on guitar. Ramuntcho, in the style of Brion, called this session 'WHITE FUNK'. Most of the texts were written upon meeting Burroughs, at the time of the invention of the cut-up. The influence that Brion Gysin has had on contemporary music may never be taken fully into account, particularly when he introduced Brian Jones, of the Rolling Stones, to the shepard's music of Joujouka. Those times were still audacious: the music was created during the sound-checks ! Musically, the choice of traditional instruments expresses the desire to be free of machines (because, as Burroughs says, 'We ourselves are machines.'). This recording is evidence of the extraordinary creativity and spontaneity of the musical and artistic scene at that time. It hasn't aged a bit. Beyond the nostalgia inspired by the invocation of that bygone cultural scene, there is a call for a creativity of which it is difficult to find examples today.
|
|
|