SEARCH |
|
|
|
BROWSE BY |
|
- Artists
- Labels
- Formats
- Styles
- Mid prices
- Last items
- LP
- 10in
- 7in
- Mandaï Gift Vouchers
|
|
NEWSLETTER |
|
- Subscribe
|
|
LOGIN |
|
Sign in or Register.
|
|
CONCERTS |
|
30/08/2025 La Jungle @ Skate Punk Festival | 31/08/2025 Zu @ Belvédère | 31/08/2025 Radiator Pirelmans @ Belvédère | 01/09/2025 Zu @ Le Botanique | 01/09/2025 Ovo @ Le Botanique | 13/09/2025 KrÖtale @ Coopcyclette |
More concerts ... |
|
NEWS |
|
28/08/2025 RIP James Kimball | 26/08/2025 We've been working on our website - Now things should work correctly again :) | 21/08/2025 No more shipping to the US can be afford at the moment - We're waiting for new terms before working back with the US. | 06/08/2025 Back from our Summer break !
|
More news ... |
|
FEEDBACKS |
|
r... (Netherlands)
great stuff! reasonable prices!! great s...
|
d... (Belgium)
All excellent...
|
d... (Belgium)
All excellent...
|
More feedbacks ... |
|
DESCRIPTION |
|  | BRION GYSIN Live in London 1982 Label : Sub Rosa Year : 2007 Format : CD Style : Experimental Availability : In stock
Price : 13.50 € - BUY
| | | | Description : | Autumn 1982, Brixton, London, Brion Gysin, the eternal accomplice of William Burroughs, renews the methods of performance by reciting texts, hastily brought together: Tessa, a member of Slits, Steve, of Rip, Rig and Panic, Gile, of Penguin Café Orchestra, and Ramuntcho Matta on guitar. Ramuntcho, in the style of Brion, called this session 'WHITE FUNK'. Most of the texts were written upon meeting Burroughs, at the time of the invention of the cut-up. The influence that Brion Gysin has had on contemporary music may never be taken fully into account, particularly when he introduced Brian Jones, of the Rolling Stones, to the shepard's music of Joujouka. Those times were still audacious: the music was created during the sound-checks ! Musically, the choice of traditional instruments expresses the desire to be free of machines (because, as Burroughs says, 'We ourselves are machines.'). This recording is evidence of the extraordinary creativity and spontaneity of the musical and artistic scene at that time. It hasn't aged a bit. Beyond the nostalgia inspired by the invocation of that bygone cultural scene, there is a call for a creativity of which it is difficult to find examples today.
|
|
|