| 
	
| SEARCH |  |  |  
|  |  |  |  
| BROWSE BY |  |  |   
| - Artists - Labels
 - Formats
 - Styles
 - Mid prices
 - Last items
 - LP
 - 10in
 - 7in
 - Mandaï Gift Vouchers
 
 |  |  |  
| NEWSLETTER |  |  |   
| - Subscribe 
 |  |  |  
| LOGIN |  |  |   
| Sign in or Register. 
 
 |  |  |  
| CONCERTS |  |  |  | 07/11/2025 Billions Of Comrades @ Le Belvédère
 |  | 10/11/2025 Billions Of Comrades @ Le Botanique
 |  | 15/11/2025 Billions Of Comrades @ Primitive Music
 |  | 21/11/2025 Peter Kernel @ Magasin 4
 |  | 26/11/2025 Ovo @ La Malterie
 |  | 03/12/2025 Ovo @ The Pit's
 |   
| More concerts ... |  |  |  
| NEWS |  |  |  | 27/10/2025 Update done !
 |  | 25/10/2025 Working on next update.
 |  | 22/10/2025 New releases by Cuneiform Records will be soon in stock.
 |  | 07/10/2025 Small update done !
 |   
| More news ... |  |  |  
| FEEDBACKS |  |  |  
	 	| M... (Poland) ne plus ultra, many thanks...
 |  
	 	| n... (Belgium) Great! Nice record, nice service!...
 |  
	 	| d... (Belgium) As always : all excellent...
 |   
| More feedbacks ... |  | 
| DESCRIPTION |   |  |  |  | HAYWARD, CHARLES Switch on war
 
 Label : Sub Rosa
 Year :  1991
 Format : CD
 Style : Experimental
 Availability : In stock
 
 Price :  13.50 € - BUY
 
 |  |  |  |  |  | Description : | Switch on War' a dream state synthesis of nights watching live TV coverage of the 1st Gulf War, the reduction of colours to an electron midnight blue, the long periods of nothing really happening, the contrasting landscapes, (the desert, the city at night, the newsroom), the sudden hurtling through space, through a doorway, a camera on the nose of a missile, the bearing of silent witness slowly turning into complicity and mute acquiescence. At the back of the mind the thought that all this would soon be reduced to snapshot memories, archive, newsreel, history. 
 Originally devised as a performance for the Club Integral, in South London, at the height of the military activity, 'Switch on War' was a harsh and brutal response to the media coverage of the conflict informed by a grotesque and disconcerting anti-music aesthetic heavily influenced by the disorientating, overloaded sound world of Space Invaders arcades.
 
 The CD version was recorded binaurally some weeks later, live in a disused morgue, as the war came to its stalemate close. By this time the anger had a bleak streak of sadness, a distorted expressionist requiem.
This CD had the life expectancy of a magazine article or some such, no more than a year and it would be archive, a mere souvenir.
 
 Charles Hayward
 
 
 |  |  |