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Copyright : 2002-2026
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| 29/08/2026 La Jungle @ Free Openair 9030 | |
| 17/09/2026 La Jungle @ La Cave aux Poêtes | |
| 18/09/2026 La Jungle @ Les 4 Ecluses | |
| 26/09/2026 Dead Bob @ Het Bos | |
| 07/10/2026 La Jungle @ Belvédère | |
| 10/10/2026 Dazzling Killmen @ Magasin 4 | |
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| 04/08/2026 We're planning to release some stuff from Wrong Speed Records (UK) by the following weeks. | |
| 30/07/2026 Back to work | |
| 16/07/2026 We'll be out of office from the 20th July until the 26th. | |
| 12/07/2026 Holiday time - We should be a less reactive than usual. | |
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| DESCRIPTION | ||
 | KEEP, SIMON Interview with the eggs Label : Sub Rosa Year : 2005 Format : CD Style : Electronic / Experimental Availability : In stock Price : 13.50 € - BUY | |
| Description : | The original sound installation consisted of three headphones playing back three different sounds. Through the first set of headphones the sound of snow was heard, close up and sounding like dust or sugar. The second was the sound of a Buddhist monk meditating in an empty room. The last was the sound of volcanic steam seeping out of the sides of a mountain. Alongside the headphones were one thousand origami cranes. The paper was made from photo snapshots of Japan and when made the cranes were hung in ten rows of one hundred. To make one thousand origami cranes is a Japanese symbol of health and longevity. Sound pieces produced from Mini Disc recordings I made in Japan 2002. The audio has been extracted from Hokkaido's volcanic snow-covered landscape. The composition and patterns of the sound are based on the way I heard these sounds; they are inspired by my experience of listening. One of the recordings was made inside a temple. During 'Zazen' meditation the sound of an empty room was opening out to me and I was hearing sounds deep into the room. One evening I recorded the sound of an empty midnight landscape, again I was listening into the silence and into the distance. Sounds would ring out from the distance, then a split second later I would hear silent space again.'
(Simon Keep) | |
